Born With Teeth, Costumes Designed by: Alejo Vietti Mask- purchased soft mask white colored, paper mached inside to stiffen, painted, silver leaf, hard hat base inside Photo By: Lynn Lane

Born With Teeth, Costumes Designed by: Alejo Vietti Mask- purchased soft mask white colored, paper mached inside to stiffen, painted, silver leaf, hard hat base inside Photo By: Lynn Lane

Born With Teeth, Costumes Designed by: Alejo Vietti Mask- purchased soft mask white colored, paper mached inside to stiffen, painted, silver leaf, hard hat base inside Photo By: Lynn Lane

Born With Teeth, Costumes Designed by: Alejo Vietti Mask- purchased soft mask white colored, paper mached inside to stiffen, painted, silver leaf, hard hat base inside

Born With Teeth, Costumes Designed by: Alejo Vietti Mask- purchased soft mask white colored, paper mached inside to stiffen, painted, silver leaf, hard hat base inside

Born With Teeth, Costumes Designed by: Alejo Vietti Boot cuffs and straps with studs, cuffs were removable(seen in first two mask photos) Photo By: Lynn Lane

Born With Teeth, Costumes Designed by: Alejo Vietti Boot cuffs and straps with studs, cuffs were removable(seen in first two mask photos)

American Mariachi, Costumes Designed by: Christopher Vergara, Alley Theatre Worbla masks painted, zip tie crowns with flowers, painted with gold and all have blacklight paint Photo by: Lynn Lane

American Mariachi, Costumes Designed by: Christopher Vergara, Alley Theatre Worbla masks painted, zip tie crowns with flowers, painted with gold and all have blacklight paint Photo by: Lynn Lane

American Mariachi, Costumes Designed by: Christopher Vergara, Alley Theatre Worbla masks painted, zip tie crowns with flowers, painted with gold and all have blacklight paint Photo by: Lynn Lane

American Mariachi, Costumes Designed by: Christopher Vergara, Alley Theatre Worbla masks painted, zip tie crowns with flowers, painted with gold and all have blacklight paint Photo by: Lynn Lane

Houston Astros Orbit bunny head cover for Easter. Stiff ears, opening in back. Body and gloves made by Marisa Chaney

Large foam golf hat for Houston Astros Orbit. Fabric painted and rest of outfit by Marisa Chaney

Large foam golf hat for Houston Astros Orbit. Fabric painted and rest of outfit by Marisa Chaney

The Nerd, Costumes Designed by: Haydee Zelideth, Alley Theatre Monster feet covers made from foam, fabric, zip ties, Monster gloves- used bought monster gloves and pieced on a gauntlet and leather pieces, Monster spikes made from zip ties and fabric, Monster mask- purchased and altered Photo by: Lynn Lane

The Nerd, Costumes Designed by: Haydee Zelideth, Alley Theatre Monster feet covers made from foam, fabric, zip ties, Monster gloves- used bought monster gloves and pieced on a gauntlet and leather pieces, Monster spikes made from zip ties and fabric, Monster mask- purchased and altered Photo by: Lynn Lane

Ken Ludwig's Baskerville, Costumes Designed by Sarah Cubbage, The Alley Theatre Leather belt rigged and leather chatelaine made with "torture devices." Blood distressing on apron. Photo by Lynn Lane

Ken Ludwig's Baskerville, Costumes Designed by Sarah Cubbage, The Alley Theatre Leather belt rigged and leather chatelaine made with "torture devices." Blood distressing on apron.

The Nightshift Before Christmas, Costumes Designed by: David Arevalo, Alley Theatre Actor needed to quickly turn into another character onstage and the idea was that this character has long decorated nails. We bought a glove that was dyed to match her skin and attached it to bracelets and attached nails on the fingers. The bracelets allowed the actress to locate the glove easily in her pocket and keep the opening wide open. Photo by: Lynn Lane

The Nightshift Before Christmas, Costumes Designed by: David Arevalo, Alley Theatre Actor needed to quickly turn into another character onstage and the idea was that this character has long decorated nails. We bought a glove that was dyed to match her skin and attached it to bracelets and attached nails on the fingers. The bracelets allowed the actress to locate the glove easily in her pocket and keep the opening wide open. Photo by: Lynn Lane

Christmas Carol, Costumes Designed by: Raquel Barreto Organza shirt- yardage cold process dyed with low water, Net undershirt and leggings- sponge painted with colors(wears makeup and these were created to minimize the amount needed for easier changes), pants distressed Photo by: Lynn Lane

Sense and Sensibility, Costumes Designed by: Hunter Kaczorowski, Alley Theatre Wire whisks with pleated fabric, trim, and fabric bows, 4 made Photo by: Lynn Lane

Sense and Sensibility, Costumes Designed by: Hunter Kaczorowski, Alley Theatre Wire whisks with pleated fabric, trim, and fabric bows, 4 made

Sense and Sensibility, Costumes Designed by: Hunter Kaczorowski, Alley Theatre Wire whisks with pleated fabric, trim, and fabric bows, 4 made

The Three Musketeers, Costumes Designed by: Alejo Vietti The Alley Theatre Wire and sequin net rebato, pieces cut out and appliqued to stick off edge, rhinestoned

The Three Musketeers, Costumes Designed by: Alejo Vietti The Alley Theatre Wire and sequin net rebato, pieces cut out and appliqued to stick off edge, rhinestoned

The Three Musketeers, Costumes Designed by: Alejo Vietti The Alley Theatre Wire and sequin net rebato, pieces cut out and appliqued to stick off edge, rhinestoned

Twelfth Night, Costumes Designed by: Katherine Roth The Alley Theatre Pasta lion design built on purchased breast plate that I added a back strap to. Lion face built up with varaform and macaroni glued on top. Coated in a gel medium and then painted. Photo by Lynn Lane

Twelfth Night, Costumes Designed by: Katherine Roth The Alley Theatre Pasta lion design built on purchased breast plate that I added a back strap to. Lion face built up with varaform and macaroni glued on top. Coated in a gel medium and then painted.

Twelfth Night, Costumes Designed by: Katherine Roth The Alley Theatre Pasta lion design built on purchased breast plate that I added a back strap to. Lion face built up with varaform and macaroni glued on top. Coated in a gel medium and then painted.

A Christmas Carol, Costumes Designed by: Erica Griese, Alley Theatre Marley dye work- cold process low water dyed organza yardage(21 yds), airbrushed wool and drill fabric cut out pieces for underneath the organza to have similar look, once built by tailoring team the organza was distressed/shredded for molting look, Marley- vest, pants, jacket, then 3 "henchmen" jackets Photo by: Lynn Lane

A Christmas Carol, Costumes Designed by: Erica Griese, Alley Theatre Marley dye work- cold process low water dyed organza yardage(21 yds), airbrushed wool and drill fabric cut out pieces for underneath the organza to have similar look, once built by tailoring team the organza was distressed/shredded for molting look, Marley- vest, pants, jacket, then 3 "henchmen" jackets

A Christmas Carol, Costumes Designed by: Erica Griese, Alley Theatre Marley dye work- cold process low water dyed organza yardage(21 yds), airbrushed wool and drill fabric cut out pieces for underneath the organza to have similar look, once built by tailoring team the organza was distressed/shredded for molting look, Marley- vest, pants, jacket, then 3 "henchmen" jackets

A Christmas Carol, Costumes Designed by: Erica Griese, Alley Theatre Marley dye work- cold process low water dyed organza yardage(21 yds), airbrushed wool and drill fabric cut out pieces for underneath the organza to have similar look, once built by tailoring team the organza was distressed/shredded for molting look, Marley- vest, pants, jacket, then 3 "henchmen" jackets

A Christmas Carol, Costumes Designed by: Erica Griese, Alley Theatre Marley dye work- cold process low water dyed organza yardage(21 yds), airbrushed wool and drill fabric cut out pieces for underneath the organza to have similar look, once built by tailoring team the organza was distressed/shredded for molting look, Marley- vest, pants, jacket, then 3 "henchmen" jackets

Peter Rabbit Tales, Costumes Designed by: David Russell Enchantment Theatre Company Clay mold built on plaster face, patterned out with plastic wrap and tape and drawing out pieces, painted black on inside, painted outside then covered in fabric, doll eyelashes added, elastic strap

Peter Rabbit Tales, Costumes Designed by: David Russell Enchantment Theatre Company Clay mold built on plaster face, patterned out with plastic wrap and tape and drawing out pieces, painted black on inside, painted outside then covered in fabric, doll eyelashes added, elastic strap

Peter Rabbit Tales, Costumes Designed by: David Russell Enchantment Theatre Company Clay mold built on plaster face, patterned out with plastic wrap and tape and drawing out pieces, painted black on inside, painted outside then covered in fabric, doll eyelashes added, elastic strap

Peter Rabbit Tales, Costumes Designed by: David Russell Enchantment Theatre Company Clay mold built on plaster face, patterned out with plastic wrap and tape and drawing out pieces, painted black on inside, painted outside then covered in fabric, doll eyelashes added, elastic strap

Reticulated foam, patterned by altering existing camel pattern, spots spray painted on, mane, under nose, and roof of mouth hot process dyed, eyes and ossicles Styrofoam balls cut in half and painted, doll eyelashes added, marabou boa added to ears and ossicles

Reticulated foam, patterned by altering existing camel pattern, spots spray painted on, mane, under nose, and roof of mouth hot process dyed, eyes and ossicles Styrofoam balls cut in half and painted, doll eyelashes added, marabou boa added to ears and ossicles

Reticulated foam, patterned by altering existing camel pattern, spots spray painted on, mane, under nose, and roof of mouth hot process dyed, eyes and ossicles Styrofoam balls cut in half and painted, doll eyelashes added, marabou boa added to ears and ossicles

Rhinoceros, Costumes Designed by: Emily Strickland Florida School of the Arts Clay mold built on Styrofoam head, pulled in one with seam up chin, ears and horn are Wonderflex, doll eyes added, elastic back strap, suede added to cover actors head, I made 4, another artisan made 4 more

Rhinoceros, Costumes Designed by: Emily Strickland Florida School of the Arts Clay mold built on Styrofoam head, pulled in one with seam up chin, ears and horn are Wonderflex, doll eyes added, elastic back strap, suede added to cover actors head, I made 4, another artisan made 4 more

The Three Musketeers, Costumes Designed by: Alejo Vietti The Alley Theatre Necklace made from 2 different kinds of earrings and two necklaces which were all cut apart and made into one necklace. The crown had the star pieces added on.

Murder on the Orient Express, Costumes Designed by: Raquel Barreto The Alley Theatre Pasta lion design built on purchased breast plate that I added a back strap to. Lion face built up with varaform and macaroni glued on top. Coated in a gel medium and then painted. Photo by Lynn Lane

The Importance of Being Earnest, Costumes Designed by: Trish Clark Nashville Repertory Theatre Pattern made from existing cover, french seamed, appliques tea dyed, center top ruffles and edge ruffle

The Importance of Being Earnest, Costumes Designed by: Trish Clark Nashville Repertory Theatre Pattern made from existing cover, french seamed, appliques tea dyed, center top ruffles and edge ruffle

The Importance of Being Earnest, Costumes Designed by: Trish Clark Nashville Repertory Theatre Pattern made from existing cover, french seamed, appliques tea dyed, center top ruffles and edge ruffle

Pigskin leather, main hand piece patterned by tracing hand, thumb and fourchettes free hand drawn, hand backstitched, scalloped edge with holes punched

Pigskin leather, main hand piece patterned by tracing hand, thumb and fourchettes free hand drawn, hand backstitched, scalloped edge with holes punched

Cato in Utica, Costumes Designed by: Sarah Jean Torsetti The Glimmerglass Festival Free hand patterned, stitched on machine, lined, leather cord dyed to lace up

Cato in Utica, Costumes Designed by: Sarah Jean Torsetti The Glimmerglass Festival Free hand patterned, stitched on machine, lined, leather cord dyed to lace up

Cato in Utica, Costumes Designed by: Sarah Jean Torsetti The Glimmerglass Festival Free hand patterned, stitched on machine, lined, leather cord dyed to lace up

Patterned, tooled, then pulled over arm form, dyed with Antique Gel, riveted together, felt lined, leather laces up back

Patterned, tooled, then pulled over arm form, dyed with Antique Gel, riveted together, felt lined, leather laces up back

Cato in Utica, Costumes Designed by: Sarah Jean Torsetti The Glimmerglass Festival Leather pulled around arm form, texture added with mixture of tissue paper and Crystal Gel, fake snakeskin leather added to look like emerging, felt lined

Cato in Utica, Costumes Designed by: Sarah Jean Torsetti The Glimmerglass Festival Leather pulled around arm form, texture added with mixture of tissue paper and Crystal Gel, fake snakeskin leather added to look like emerging, felt lined

Cato in Utica, Costumes Designed by: Sarah Jean Torsetti The Glimmerglass Festival Leather pulled around arm form, texture added with mixture of tissue paper and Crystal Gel, fake snakeskin leather added to look like emerging, felt lined

Harlequinade, American Ballet Theatre, Costumes Designed by: Robert Perdziola Lynne Mackey Studio Original unpainted felt hat.